FITRAT DRAMALARIDA OBRAZ VA BADIIY MAKON MUVOFIQLIGI ("CHIN SEVISH" DRAMASI MISOLIDA), THE CORRESPONDENCE BETWEEN CHARACTER AND ARTISTIC SPACE IN FITRAT’S DRAMAS (A CASE STUDY OF TRUE LOVE), СООТВЕТСТВИЕ ОБРАЗА И ХУДОЖЕСТВЕННОГО ПРОСТРАНСТВА В ДРАМАХ ФИТРАТА (НА ПРИМЕРЕ ДРАМЫ «ИСТИННАЯ ЛЮБОВЬ»)

<jats:p>This article provides an artistic and aesthetic analysis of the drama "Chin sevish" ("True Love") by Abdurauf Fitrat, an outstanding representative of Uzbek literature, and examines the correspondence between the system of characters and the category of artistic space in the work. The synthesis of space and character in the ideological and artistic structure of the drama, as well as their function in the development of dramatic conflict, is studied from a scholarly perspective. In the article, dramatic space is interpreted not only as the physical environment in which events take place, but also as a semiotic system that expresses the inner world of the characters.</jats:p>