Abstract
<jats:p>The symbol of the mother is one of the most important and universal images in world literature. In both Uzbek and English literary traditions, motherhood represents sacrifice, morality, emotional support, and continuity of generations. However, the interpretation of maternal symbolism differs according to cultural and historical contexts. Uzbek literature generally idealizes the mother as a sacred guardian of family honor and national identity, while English literature frequently explores motherhood through psychological realism and emotional complexity. This article comparatively analyzes maternal symbolism in O‘tkir Hoshimov’s Dunyoning Ishlari, Cho‘lpon’s Kecha va Kunduz, Louisa May Alcott’s Little Women, and D. H. Lawrence’s Sons and Lovers. The study uses comparative literary analysis and textual interpretation to identify similarities and differences in the literary representation of mothers. The findings demonstrate that although cultural approaches differ, both traditions portray motherhood as a symbol of unconditional love and emotional endurance.</jats:p>