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Abstract

<jats:p>This publication examines a decisive moment in global art history: the radical transformation of Chinese contemporary art in the 1990s and 2000s. It offers a reassessment of individualism as a central figure in the discourse on the relationship between art and the state, society and the public sphere, and amid the political and cultural upheavals of the time. Essays, archival material, and visual documentation show how artistic practices in China moved between local intellectual traditions and global art strategies, thus revealing the formative tensions and transformations of this era.</jats:p>

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global publication examines decisive moment

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