Abstract
<JATS1:p>Audible Ancestorsprovides a new understanding of music performance and the inheritance of Indigenous epistemologies and methodologies in Greater Mexico.</JATS1:p> <JATS1:p>By examining the audibility of Indigenous ancestry in the negotiation of Mexican subjectivities through danza performance, author Luis Chávez-González amplifies muted Caxcan Indigeneity rooted in the sounds of Regional Mexican music through tamborazo-Zacatecano, a drum-centered style originating from northcentral Mexico.</JATS1:p> <JATS1:p>Based on extensive musical ethnographic research between the US/Mexico border, this book offers an inter-musicological depth to Indigenous sound studies, Indigenous performativity, self-determination, decolonizing methodologies, and borderlands research. This new research considers Indigenous sonic cartographies that continue to that defy erasure amidst US and Mexican colonial normative paradigms by musically crossing, re-crossing, and reimagining place and belonging.</JATS1:p>