Abstract
<jats:p>The article examines the operatic libretto by Wen Deqing, “The Wager”, created on the basis of Gao Xiaosheng’s short story “A Gambling Game on a Snowy Night”, in the context of artistic interpretation of a literary source. The focus is on the semiotic transformation of the literary text into a musical and dramatic form, in which play functions not only as a plot motif but also as a philosophical category that determines the structural and semantic model of the stage work.</jats:p> <jats:p>本文以文学原作的艺术阐释过程为背景 研究温德清歌剧《赌注》的脚本 该作品改编自高晓声的小说《雪夜赌冻》。文章重点关注文学文本向音乐戏剧形式的符号学转化 其中“游戏”不仅作为情节动机存在 而且作为一种哲学范畴 决定了舞台作品的结构与意义模型.</jats:p>
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Keywords
literary
article
examines
operatic
libretto
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