18世纪末至19世纪音乐戏剧文化中圣女贞德形象的呈现

<jats:p>The article is focused on examining the artistic conception of the image of Joan of Arc in the operatic tradition of the late 18th and 19th centuries. It explores the literary prerequisites for the formation of this image, as well as the key stages of its musical and theatrical interpretation within Western European and Russian cultural contexts. Particular attention is given to Italian operas of the Restoration period, Giuseppe Verdi’s Giovanna d’Arco, and Pyotr Ilyich Tchaikovsky’s The Maid of Orleans</jats:p> <jats:p>本文旨在研究18世纪末至19世纪歌剧传统中圣女贞德形象的艺术观念。文章重点探讨其形成的文学渊源 以及该形象在西欧与俄罗斯文化语境中的音乐戏剧化诠释的关键阶段。研究中特别关注复辟时期的意大利歌剧、朱塞佩·威尔第的《圣女贞德》 又译《乔万娜·达尔科》 以及彼得·伊里奇·柴可夫斯基的《奥尔良的少女》</jats:p>