„CIAŁO SPLĄTAŃ”. DYFRAKCYJNE CZYTANIE FILOZOFII GILLES’A DELEUZE’A I FÉLIXA GUATTARIEGO POPRZEZ CZOŁÓWKĘ SERIALU ROZDZIELENIE

<jats:p>In this article, I present an excerpt from my research, the full scope of which I elaborated in my master’s thesis entitled Severance-Masochism-Body. An Analysis of the TV Series “Severance”, written under the advisorship of Prof. Szymon Wróbel. The excerpt focuses on the animated opening sequence of the show’s first season, analyzed through the theoretical frame- 64 Aleksander Graszkiewicz work of libidinal philosophy developed by Gilles Deleuze and Félix Guattari. Created in the technique of clay animation, the sequence enables the authors to reveal the molecular level of reality. Juxtaposing philosophical concepts with an audiovisual work, the analysis both uncovers and generates new meanings. Thus, the article produces a space in which entanglements formed by/through and concerning the body are momentarily rendered concrete. Furthermore, the article introduces a new critical philosophical tool: the notion of a body of entanglements. This concept describes a body that deterritorializes itself, becoming through a fermenting, proliferating movement</jats:p>