Abstract
<jats:p>AcknowledgmentsIntroductionPart I: Aquatic Critiques1. Displacements and Hauntings of the Visible: Backgrounds, Mirrors, and Camera Lenses Against the Coloniality of Images2. Shattering the Mirror: Submersive Aesthetics of Listening as Critique of the Coloniality of SensePart II: Subterranean Decolonial Aesthetics3. Dissolving Aesthetics in Life: Anticolonial Possibilities of an Aesthetics of the Multitude4. Sedimentations of Silence and Opacity: Fostering Subterranean Circulations of Sense5. Unearthing an Underground Tongue: Geographies of Coalition and Travel as TransversalityNotesBibliographyIndex</jats:p>
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Keywords
aesthetics
coloniality
subterranean
acknowledgmentsintroductionpart
aquatic