Abstract
<jats:p>The purpose of this article is to examine cyber-eschatological discourse and digital eschatology in the modern information society and mass culture based on contemporary Russian research. The novelty of the article lies, firstly, in the study of cyber-eschatological discourse as a result of the "digitalization" of eschatology and the "anthropological turn" in philosophy in thecontext of the active development of digital technologies and computer networks, secondly, in the consideration of digital eschatology as a phenomenon of modern culture; thirdly, the study of the concepts of "digital death", "digital immortality" and related phenomena as one of the most important philosophical and anthropological components of digital eschatology and cyber- eschatological discourse, fourthly, in the definition of the concept of "cyber-eschatology".As a result, it was determined that in the context of the modern information society and the "anthropological turn" in philosophy that began in the 20th century, there has been a reinterpretation of traditional religious and philosophical ideas about the "end of the world" in general, and about death and the afterlife of an individual human being in particular, and their transfer to cyberspace and digital reality, which has led to the "digitalization" of eschatology and the emergence of a number of phrases with the word "digital" and concepts with the prefix "cyber". Cyber-eschatological discourse and digital eschatology are complex and multifaceted phenomena that include a modern interpretation of the concept of "the end of the world" through the lens of digital technologies, including the concepts of transhumanism, technological singularity, and other digital apocalyptic scenarios. Digital eschatology also appears as a specific phenomenon of modern culture that is expressed in popular culture.</jats:p>