Abstract
<title>Abstract</title> <p>This research is focused on artistic interventions to address the accumulation of solid waste and its negative impacts. Despite the controversies surrounding the concept of waste, the adverse impacts of solid waste continue to surface in the global conversations on sustainability. The study area (Jamestown) has strong economic foundations supported by skilled entrepreneurial labour, trade, tourism, and hospitality industries, have not only contributed to solid waste generation but have also been adversely affected by irresponsible management strategies. This variety of repercussions necessitates the adoption of pragmatically oriented management strategies that promote innovative transformation. In this context, upcycled art produced from varied solid waste that seamlessly integrates aesthetic concepts and sustainability ideals aligns well with the focus of this exploration. This study is expected to address three related investigative concerns. These focal points of inquiry were examined analytically through personal interviews, focus group discussions, and participant and non-participant observations, following the purposeful selection of the study participants. As a studio-based research, exploration of the materiality of some solid waste materials, including plastic, aluminium cans, and textiles, was undertaken simultaneously with the theorization of the findings from participants’ interpretations, as well as the participant and non-participant observations. In such creative and art-based research grounded in Eco-aesthetics, Behavioral Change, and Transformative Learning theories, artistic intention and audience engagement are essential. The conclusions drawn underscore the study’s potential to advance sociocultural transformations through approaches that unify aesthetic values with sustainability-oriented practices.</p>