Abstract
<jats:title>Abstract</jats:title> <jats:p>This chapter examines the enduring myth of the white savior in American history and culture, beginning with Matthew McConaughey’s film roles that exemplify how white heroes often rescue Black characters while maintaining control of the narrative. It defines the white savior trope as one that centers white benevolence and moral authority, illustrating through films such as Amistad, The Blind Side, and Hidden Figures how Hollywood reinforces racial hierarchies under the guise of justice. The chapter examines historical figures such as Jefferson, Washington, Hamilton, and Lincoln, showing how their legacies and memorials uphold paternalistic myths of white virtue despite contradictions in their actions and ideals. It further explores literature and popular culture, from Uncle Tom’s Cabin to Guess Who’s Coming to Dinner and Get Out, to show how white characters repeatedly occupy the roles of arbiters of justice and redemption. Finally, the chapter urges a move from stories of white heroism to those that highlight the agency and leadership of marginalized people, calling readers to reject the white savior myth in culture and daily life.</jats:p>